Q&A: Rapper D Smoke takes patient walk to Grammy recognition

January 27, 2021 GMT
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Rapper D Smoke poses for a portrait in Los Angeles on Saturday, Dec. 26, 2020. The rapper and school teacher is nominated for two Grammy Awards, one for best rap album for "Black Habits," and one for best new artist. The 63rd Annual Grammy Awards will be held on Sunday, March 14. (Willy Sanjuan/Invision/AP)
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Rapper D Smoke poses for a portrait in Los Angeles on Saturday, Dec. 26, 2020. The rapper and school teacher is nominated for two Grammy Awards, one for best rap album for "Black Habits," and one for best new artist. The 63rd Annual Grammy Awards will be held on Sunday, March 14. (Willy Sanjuan/Invision/AP)

LOS ANGELES (AP) — When D Smoke was teaching high schoolers in Southern California, the rapper still pursued his dreams of breaking through as a hip-hop artist while leaning on the encouraging phrase: “There’s no expiration on realness.”

D Smoke maintained that mindset as a motivator before he made a splash on Netflix’s music reality TV series “Rhythm + Flow” in 2019. He won the competition, impressing judges Cardi B, T.I. and Chance the Rapper with his ability as a multi-instrumentalist and bilingual rapper who could easily switch from English to Spanish in his rhymes.

Last year, D Smoke rode the momentum from the show’s success, performing alongside boxer Deontay Wilder before a heavyweight championship bout and releasing his debut album “Black Habits,” which this year earned him a Grammy nomination for best rap album. He’s also up for best new artist against Megan Thee Stallion, Doja Cat, Ingrid Andress, Phoebe Bridgers, Chika, Noah Cyrus and Kaytranada.

It’s been a long road toward Grammy recognition for D Smoke, but the 35-year-old had other milestones along the way. He’s a UCLA graduate who taught Spanish and musical theory at Inglewood High School. He’s also penned songs for The Pussycat Dolls, Ginuwine, Joe and Jaheim, some of which he co-wrote with his brother, R&B singer SiR, who is signed to Kendrick Lamar’s Top Dawg Entertainment.

In a recent interview with The Associated Press, D Smoke talked about the pressure of finding success outside “Rhythm + Flow,” how being a teacher matured his lyrics and his thoughts on why Grammy voters nominated him and other 35-and-up rappers in the best rap album category.

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AP: You were in your 30s with a decade of teaching under your belt, so did you ever think you were past your prime to pursue a music career?

D Smoke: I always tell people that there’s no expiration on realness. People need incredible art. Anytime you spend pursuing whatever level of success and see yourself achieving, it’s time to get better. Always getting better. It didn’t matter if I got a (Grammy nom) when I was 40. It’s just going to be that season.

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AP: What compelled you to learn Spanish?

D Smoke: I went to a middle school that was predominantly Latino and all my friends spoke it. That’s when I told myself that I must be fluent in this. You’re not going to switch languages and I’m left out. I took Spanish one, two and three at Inglewood High. While everybody was doing it to get a grade, I was already like, “I’m learning this.” Then finally, when I went to UCLA, I just kept going.

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AP: Was rapping in English and Spanish in front of Cardi B — who is also bilingual —- your strategy to win “Rhythm + Flow”?

D Smoke: Everything I did on the show was strategic. That’s how you approach a fight with strategy because just being tough or trying to outdo somebody will get you hurt. I’m using a fight metaphor. I knew there were lyricists on the show. I knew they could rap their (explicit) off. But the goal was to distinguish myself. I knew that was going to be memorable. By going into the later rounds, they would be like, “There he goes. That’s the dude who can speak Spanish.” They were going to remember me from that one performance. I knew they were going to remember that until the end.

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AP: What was the strategy to ride the momentum after the show?

D Smoke: We knew that we had a limited window of converting all of these Netflix fans into music fans and people who respect the craft and follow the journey outside of Netflix, because it’s far longer before than what people realize. There was pressure to show that. If you look at the trajectory of artists who come off shows, their biggest success is the show. ...That was our goal to go ahead and transition from the Netflix star that people viewed me as to an artist.

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AP: In the best rap album category, each Grammy nominee is 35-years-old and up (Nas is the oldest at 47). What are voters trying to say?

D Smoke: It opens a conversation of what our culture needs and wants. I think all the things that happened in the past year are really sobering. I think people are requiring, at this moment more than ever, music that speaks to them at a deeper level.

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AP: Can you elaborate a little more?

D Smoke: We need mature voices in rap. We need them to be at the forefront. Of course, we’re going to listen to the kids, because we need to hear them out so they feel understood. But everybody stops to listen to a voice of reason, the voice of experience and wisdom. ...I’m experienced but I’m speaking from a place of when I was 17, acting up and wild. I’m still wild, but I’m smart enough to go about my business a certain way.

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AP: Did being a high school teacher help the maturity in your music?

D Smoke: Absolutely. I was a teacher who got to know my students. You can’t really reach nobody if you’re not concerned about who they are. It’s an exchange. I would ask, “What are you listen to? Put me up on what’s going on.” Some of it I hate, but some I would be surprised and say, “That’s dope.” In that exchange, you learn how music effects people.

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AP: Is your music influenced by other West Coast rappers like Tupac, Kendrick Lamar and Nipsey Hussle?

D Smoke: I for sure borrow from them more than any other West Coast artist. Of course, I must mention Snoop (Dogg). I look up to him so much, because he’s an elder in the game and still as relevant as ever. That’s beautiful. That’s another example of these experienced voices still being present in the culture.